In our Concepts of the Self class here at Champlain every first year student is required to create a self-portrait, along with, naturally enough, a final paper that explores the themes raised in the art. As I've discussed here, and elsewhere, I'm a big believer in the project, and I always tell the students that they should create a new self-portrait every five years, even if they don't show it to anybody and just hide it away in the back of their closet. I'm a big believer in modeling assignments, especially for first and second year students, so I create a new self-portrait every fall so that I can share the experience with them. It's never too early or too late for self-reflection. Self-portraits can be systematically planned, but sometimes they can be fairly organic. This picture might make a good self-portrait, or at least the beginning of a discussion of a self-portrait, and it definitely represents the latter approach. I'm sitting at my desk writing this morning and turned to my left, and realized that this one little corner of my desk at home represented so much of what dominates my life at the moment, and, what is more key, what is important to me at this moment: one of my favorite pictures of my son (he's 3 or 4 and we'd just climbed to the top of Stone Mountain); a little globe turned appropriately towards Zanzibar; three of the seven volumes that comprise the Ramayana; and my open copy of one of my Proust volumes, captured mid-blog post, before I turned back to writing on the Ramayana. That's not a bad little snapshot, literally and figuratively, on where I am right now, July 2017. Now, I could have fudged it by sticking in a copy of the Quran, since I tend to devote a lot of time to Islam or issues related to Islam and the broader Islamic world, but I like the organic nature of this picture - and, well, I'm a historian and there's an integrity to artifacts that would have been contaminated by posing the picture.
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