Why should chance have brought it about, when she is simply an accident placed in the path of our surging desires, that we should ourselves be the object of the desires that she feels? And so, while feeling the need to pour out to her all those sentiments, so different from the merely human sentiments that our neighbour inspires in us, those highly specialised sentiments which are those of lovers, after having taken a step forward, in avowing to the one we love our passion for her, our hopes, we are overcome at once by the fear of offending her, and ashamed too that the language we have used to her was not fashioned expressly for her, that it has served us already, will serve us again for others, that if she does not love us she cannot understand us, and that we have spoken in that case with the lack of taste and discretion of a pedant who addresses an ignorant audience in subtle phrases which are not for them; and this fear and shame provoke the counter-rhythm, the reflux, the need, if only by first drawing back, hotly denying the affection previously confessed, to resume the offense and regain respect and domination; the double rhythm is perceptible in the various periods of a single love affair, in all the corresponding periods of similar love affairs, in all those people who self-analysis outweighs their self-esteem. If it was however somewhat more forcefully accentuated than usual in this speech which I was now making to Albertine, this was simply to allow me to pass more rapidly and more vigorously to the opposite rhythm which would be measured by my tenderness.
Marcel Proust, Cities of the Plain, p. 858
I think this passage exists somewhere between Neil Young's I Believe in You and the Drive-By Truckers' Pauline Hawkins. What is the logic of love? If Proust is to believed, at least at that moment, precious little: "Why should chance have brought it about, when she is simply an accident placed in the path of our surging desires, that we should ourselves be the object of the desires that she feels?" There is also a shame and remorse in Proust's words as he reflects on the dishonesty of love and desire: "we are overcome at once by the fear of offending her, and ashamed too that the language we have used to her was not fashioned expressly for her, that it has served us already, will serve us again for others . . ." Every single one of us, if we have a shred of honesty and self-knowledge, will cringe at that line.
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