I was born in a time when the majority of young people had lost faith in God, for the same reason their elders had had it - without knowing why. And since the human spirit naturally tends to make judgements based on feeling instead of reason, most of these young people chose Humanity to replace God. I, however, am the sort of person who is always on the fringe of what he belongs to , seeing not only the multitude he's a part of but also the wide-open space around it. That's why I didn't give up God as completely as they did, and I never accepted Humanity. I reasoned that God, while improbable, might exist, in which case he should be worshipped, whereas Humanity, being a mere biological idea and signifying nothing more than the animal species we belong to, was no more deserving of worship than any other animal species. The cult of Humanity, with its cries of Freedom and Equality, always struck me as a revival of those ancient cults in which gods were like animals or had animal heads.
Fernando Pessoa, The Book of Disquiet, text 1
And so, The Book of Disquiet begins. A couple of days ago, on Monday, I introduced my reworked COR 204 students to Fernando Pessoa. It's early days yet, but the response was what I expected, a pretty dramatic split. One of the students got up early and walked out, I assumed for a bathroom break but he never returned. On the other hand, a few of the brighter kids were clearly blown away. One of the students, clearly one of the brighter more perceptive ones, was amazed that he had never heard of Fernando Pessoa before. I told him not to fret about it since I had never read any Pessoa until I was in my 60s. I told them that there was often a work that dominated my intellectual life by decade: discovering Anderson's Winesburg, Ohio when I was fourteen or making my way through Proust's Remembrance of Things Past in my fifties, and that Pessoa's The Book of Disquiet was the literary work of my sixties (which is, alarmingly, a decade half over already). As I've gotten older I've come to believe that my job is mainly to make my students think, and that I often need to shock their sensibilities to make that happen. As Pessoa, opening this work, proposes, "I was born in a time when the majority of young people had lost faith in Gd, for the same reason their elders had had it - without knowing why."